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The stories are familiar: family disharmony, mourning the loss of a loved one, vengeance, national tyranny, international war, a desire for justice. This new translation by Jeffrey Scott Bernstein, an independent scholar and novelist, preserves the artistry of the original while deploying a clear speech that directly addresses a twenty-first century temperament. The Oresteia, first performed in Greece in 458 bce, has been celebrated as an example of the highest literary art. The murder of King Agamemnon by his wife Clytemnestra, the bloody vengeance their son Orestes wreaks upon his mother, and the appearance of the goddess Athena to sort matters out, tells a foundation narrative of world drama. The trilogy traces a progression from personal blood feud to institutionalised justice, and in doing so celebrates, by the end, the triumph of democracy among the citizenry.
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The Books of Catullus is the first full English translation to take the Roman poet at his word. Simon Smith's versions are scholarly yet eccentric, mapping theme and register to contemporary equivalents (such as poem 16, which echoes Frank O'Hara). He divides Catullus's complete verses into three 'books', the form in which it is thought the poems were originally received. 'Smith gets the all-important rhythm of Catullus, whose meters, like all else about this poet, are deceptively complex', writes Vincent Katz. 'He achieves a delicious frisson again and again by fusing the classical and the contemporary. The reader is repeatedly pleasured by unexpected felicities.' (Peter Hughes)
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The Nazarene Gospel Restored is Robert Graves's major work on the life of Jesus, written in collaboration with the distinguished Hebrew scholar Joshua Podro. The research and writing occupied them for over ten years, in a working relationship compounded, in John W. Presley's phrase, 'of argument, scholarship and mutual respect', in which the imaginative writer and the Hebraist drew on their vast knowledge of the ancient world to reveal an extraordinary new, 'true' story of Jesus. The result is, as Graves wrote to T.S. Eliot, 'a very long, very readable, very strange book', and one that Presley argues is as central to Graves's thought as The White Goddess. The Nazarene Gospel Restored was controversial when first published: the Church Times refused to advertise it, reviews were hostile, and Graves twice sued for libel. In the twenty-first century it is possible to read it in the context of a continuing engagement with the historical Jesus, both scholarly and popular.In this new edition, John W. Presley gives a detailed account of the composition and reception of the book, setting it in the context of Graves's writing and of biblical scholarship. The inclusion of Graves's Foreword and annotations for a project revised edition make this an indispensable resource.
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A Poetry Book Society Spring Special Commendation 2024 In the archives of the Houghton Library at Harvard blazes the incandescent work of V.R. 'Bunny' Lang (1924–56), the American poet and playwright whose name has been all but erased from literary history. The fiery nerve centre of the literary scene around mid-century Harvard, and best friend of the iconic New York School poet Frank O'Hara – who referred to her as 'one of our finest poets' – Lang herself has languished in the shadows of American poetry for too long. This book brings into print some of Lang's most startling, strange, and beautiful poetry, much of which has never been published before, drawing her into the spotlight at last. It includes an editor's introduction by scholar and writer Rosa Campbell, on Lang's fascinating and often hilariously eccentric life, devastatingly early death, and her rightful place in the canon of twentieth-century American poetry. The Miraculous Season, published in Lang's centenary year, is a revelation of the true breadth and brilliance of her poetry, rediscovered and made available in print for the first time since 1975.
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The Jewish poet Nelly Sachs (1891–1970) writes in direct response to the Holocaust. She is uniquely a 'prophetic' poet, one of the greatest of that species in the twentieth century. Her first book appeared in the immediate wake of the Second World War, in 1946. Since that time, Hans Magnus Enzensberger declared, 'she has been writing fundamentally a single book'. That book is represented in this volume which reveals her whole progression rendered into English. Unlike earlier translators, Andrew Shanks calls his versions 'translations/imitations', moving away from the doggedly literal to render more faithfully the sense and intention of the originals. Sachs escaped Berlin in May 1940. She found refuge in Sweden. Her major work is an evolving response to the trauma of the Holocaust. In 1966 she received the Nobel Prize for Literature. This book includes all the lyric poetry Sachs published in her lifetime and adds the posthumous collection Teile dich Nacht, an introductory essay, and notes. Her poetry begins as a monumental lament for the victims of the Holocaust. Other themes develop: biblical, Kabbalist and religious allusions, personal bereavement, mental breakdown. And there are reflections on poetic vocation in the darkness of recent history.
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Switch / Isobel Williams. - [miejsce nieznane] : Carcanet Classics : Legimi, 2023.
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During the latter phases of Covid, Isobel Williams completed her celebrated translations of the polyamorous ancient Roman poet Catullus. The poems that proved impossible when she prepared Shibari Carmina, published to acclaim in 2021, finally surrendered to her. 'Translating Catullus has been, for me, like cage fighting with two opponents, not just A Top Poet, but the schoolgirl I was, trained to show the examiner that she knew what each word meant.' The conflict was resolved by a third component, the context of shibari, a Japanese form of rope bondage with its own knotty terminology. Due to its severe restraints Catullus came alive in all his 'tormented intelligence and romantic versatility'. Critics called the work 'explosive and impactful', 'one of the most exciting translation volumes of recent years', 'lyrical, funny, engaging, and insightful', 'a bracingly foul, but also a shrewd and funny Catullus' – 'Isobel Williams' naughty translation puts the Roman poet in a bondage dungeon.' He will never be quite the same again. Switch joins Carcanet's Classics series. Like its incomplete predecessor it is illustrated with bondage drawings by the translator herself. She adds a 'who shagged whom' chart so readers can move confidently from one engagement to the next.
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